Journal

Proscenium is Hiring!

 

 

 

 

 

 

 

 

We are currently looking for a junior and two intermediate Architectural Graduates, Graduate Technologists or Interior Designers with at least 2 to 3 years of postgraduate experience.

This individual must be confident enough to take on projects, develop a work plan and work well both independently and as part of a team. Confidence in decision making and team co-ordination is an asset.

Proscenium provides a cooperative and positive work environment and an interesting range of cultural, institutional, corporate and residential projects. You can check out our work at www.proscenium.ca

We offer a competitive level of remuneration, job security and extended benefits for self-motivated team players interested in a long-term relationship with our firm.

Proscenium covers professional dues, contributes to on-going education funding and discusses staffing over local craft brews. We snowboard and ski together, golf together, and close our office over the Holidays.

Required Skills:

  • AutoCAD proficient
  • REVIT proficient
  • Good understanding of BC Building code
  • Design and Construction drawing experience
  • Experience with building envelope design
  • Interior detailing experience
  • Experience in the detailing of multi-family projects will be a strong asset.

Perks

  • Extended health and dental benefits
  • AIBC, NCIDQ and IDIBC dues for Professional Members
  • Education fund for career development
  • Friendly and supportive team of designers, architects, techs and partners
  • Project status staff meetings with local beers and snacks
  • Office located close to Main St and Olympic Village Sky train stations. We’ll even cover half your compass card
  • Semi-annual team building events

If you possess these skills and experience level, please send your resume and sample portfolio highlighting relevant experience, current references and contact information along with a brief letter of introduction outlining your employment expectations and goals. Packages are to be sent by email only to info@proscenium.ca

We apologise in advance if we do not respond to all enquiries.

Proscenium’s new office puppy!

When “Never” isn’t redlining, playing, teething, snuggling or delighting us with his adorable antics, he is napping… it’s hard work being a puppy.

 

 

 

 

 

 

 

Hi from the PAI gang!

What we need a reason to share a group-shot?

2017 IDIBC Shine Award for BMO Theatre

Proscenium Interiors is honoured to have won the Award of Excellence for BMO Theatre. Congratulations Kerri!

Proscenium Tagged!

Our office has been “vandalized” by Hollywood North movie magic!

PAI was tagged with graffiti and a U.S. mailbox, East Village Post newspaper box, and litter was added for tonight’s filming of “The Magician”, Syfy’s new fantasy series set in NYC.

 

Langara S&T Building to be certified LEED Gold!

We are proud to announce that the Langara College Science and Technology building has achieved 67 LEED points and will be certified as a GOLD level building!!!

 

MEC Head Office receives Landscaping Award

15th Annual Design Awards of Excellence Awards Announced

Connect Landscaping is excited to announce that two projects will be recognized with the 2017 Green Roof and Wall Award of Excellence.

The Green Roof and Wall Awards of Excellence will be awarded for Mountain Equipment Co-op Head Office and VanDusen Botanical Garden Visitor Centre in September at the 15th Annual CitiesAlive in Seattle, WA.

 

https://citiesalive.org/

http://connectla.ca/blog/

Metal Construction News article: Rheinzink

Renovating a Historic Cathedral

Marcy Marro, Editor, Posted 07/03/2017

RHEINZINK protects and preserves heritage of 120-year-old church

Renovating a Historic Church

Built in 1894, Christ Church Cathedral was the first church in Vancouver, British Columbia, Canada. Over the past  22 years, the church underwent a major four-phase renovation, which concluded with the total replacement of its roof. The church’s original roof was cedar shake, and over the years, various additions and modifications were undertaken, but none contributed significantly to the historic structure’s long-term sustainability.

In 1995, a formal master plan was undertaken to make the cathedral structurally sound and to meet seismic stabilization requirements. As part of the multiphase plan, the church underwent aesthetic and acoustical upgrades, in addition to basic functional improvements. “The purpose of the most recent and final phase of the restoration was to replace the roof for critical weather protection, thermal and acoustic upgrades, while completing the seismic diaphragm, accepting the parameters of working on a designated Heritage building and the need to work closely with the City of Vancouver Heritage Planners under the purview of the Vancouver Heritage Commission,” says Ron Clay, MRAIC, associate at Vancouver-based Proscenium Architecture & Interiors.

Renovating a Historic ChurchA Modern Marvel

The project’s final stage of replacing the roof became a modern marvel in Vancouver, as the entire building was completely enclosed in a massive scaffold with a giant tarpaulin covering. This was to protect the church from weather as the existing roof was removed. To allow use for a traveling gantry crane, which moved materials to all areas of the roof, the scaffolding reached 100 feet high.

Workers had to be in full HazMat gear to remove the existing roof, since the artificial slate material was bonded with asbestos. Additionally, the felt layers contained asbestos and the plywood layers underneath were contaminated by lead dust.

Before the new zinc roof could be installed by Vancouver-based TEK Roofing, it was necessary to get a level and true substrate, as the structure had settled and shifted considerably in the years since it was originally built. Additionally, construction methods were different a century ago. “We were surprised at how bad the structure was when we opened the building up,” says Ian Birtwell, a parishioner and volunteer project manager who functioned as liaison with the church. “The connections to walls were very poor-basically gravity connections. That’s the way they built in those days. And the roof ridgeline dipped 6 inches. We used a laser system to create a computerized 3-D model that revealed the high spots and low spots so that we could get a totally flat roof.”

Clay notes that much consideration, review and debate went into the retrofit roof construction assembly, to produce a system that was both economical and effective at achieving the current ideals for envelope, thermal and acoustic performance.

Pacific Building Envelope Maintenance Ltd. (PBEM), Delta, British Columbia, also helped in leveling the structure. “PBEM did a lot of the framing working under the supervision of our superintendent,” says Terry Kellogg, president, TEK Roofing. “PBEM was very instrumental in getting us a level roof. It was a tough, tough job. They added a huge amount of structural steel. We couldn’t have done it without them.”

Renovating a Historic ChurchDurable and Maintenance Free

Woburn, Mass.-based RHEINZINK America Inc. supplied approximately 12,000 square feet of its prePATINA blue-gray RHEINZINK material for the roof, which was installed in a traditional batten seam profile.

Hugh Cochlin, Architect AIBC, AAA, MRAIC, LEED AP, principal at Proscenium, says good Heritage practice requires the renovation be respectful of original materials. “Slate was initially suggested by several interested parties but its weight was problematic for the seismic upgrade,” he explains. “We gravitated to zinc pretty early in the process. We wanted a durable material that would last forever. We expect to get 100 years or more from the RHEINZINK. Plus it looks contemporary but is respectful of good Heritage practice. The Heritage Commission quickly approved our use of it.”

RHEINZINK’s traditional prePATINA blue-grey color was another reason for selecting the zinc, along with its ability to repel moss. “Zinc was a natural choice for a Heritage cathedral as its appearance will patina over time to register the prevailing conditions,” Clay says.

“Everyone likes the way the blue-grey RHEINZINK complements the natural stone on the building,” Cochlin adds.

Renovating a Historic ChurchOld-School Practices

Cochlin says all details were drawn by hand. “That’s definitely old school, but particularly appropriate for a Heritage project. We worked closely with TEK Roofing and had many on-site meetings. There was definitely more collaboration with the installer than is the norm today.”

“Due consideration was given to each integral component of the refurbishment/reconstruction details, which is clearly and concisely represented in the hand drawings,” Clay adds. “Of primary concern to the design team was the subtleties, accuracy, consistency and integrity of the hand drawings could  have been compromised if translated to CAD.”

“The RHEINZINK panels are literally all hand formed,” Kellogg says, adding that he’s an old-school guy and everything the company does is traditional. “No machines were involved other than our breaks. The traditional method is just more exact in terms of the details because you are fabricating every single piece.”

The detailing was complex with multiple interfacing, and complicated transitions. “There was no caulking, no screws-all traditional methods,” Kellogg says. “There were lots of pitch changes and elevation changes that made the installation timeintensive. It was definitely a labor of love.”

Additionally, the drainage system used the traditional 6-inch RHEINZINK half-round gutters with RHEINZINK hangers, outlets and expansion joints. Five-inch gutters were used on several small dormers. “It’s a beautiful system and complements the scale of the roof,” Kellogg adds.

To complete the project, TEK crew ranged from 10 to 20 individuals, depending on what needed to be done. Kellogg worked alongside his crew for much of the job, spending nearly two months on the tools. “It was quite enjoyable,” he says.

 

http://www.metalconstructionnews.com/articles/magazine-features/renovating-a-historic-cathedral.aspx

Christ Church Cathedral, Vancouver, British Columbia, Canada
General contractor: Scott Construction Group, Burnaby, British Columbia, Canada, www.scottconstructiongroup.com
Architect: Proscenium Architecture & Interiors, Vancouver, www.proscenium.ca
Framing/building envelope maintenance: Pacific  Building Envelope Maintenance Ltd. (PBEM), Delta, British Columbia, www.pbemltd.com
Distributor: Alesther Metals, Burnaby, www.alesthermetal.com
Installer: TEK Roofing, Vancouver, www.tekroofing.ca
Metal roof panels/gutters: RHEINZINK America Inc.,  Woburn, Mass., www.rheinzink.us

Meet Veteran Proscenium Employee Greg Piccini !!!

                                
Where were you born?  New Westminster, B.C.
How did you get into design? Why?  I was surrounded by contractors growing up and was interested in watching buildings get built.  Once I found out what architects were and what they did, I figured, “Why not?”
What class in school has proven to be the least useful?  Definitely a class I took on Form-Z computer modelling.  Does that program even exist anymore?
What is the best building of all time?  Best?  Not sure, but the Pantheon in Rome is pretty amazing.  It makes your stomach drop when you walk into it.
Best meal in Vancouver?  Anything at Campagnolo or Le Faux Bourgeois.
What do you never leave home without?  Blundstone boots, black MEC (formerly known as Mountain Equipment Co-op) bag, and watch.
Your Great Escape would be to?  A multi-day hike in the mountains that no one else knows about or an architectural walking tour through Scandinavia.
What single piece of technology makes your life easier? Bicycle gears, especially in this city.
Grapes or raisins? Grapes in the summer, raisins in the winter.
Favourite season? Fall, before it gets too dark and wet.
If you could have one super power, what would it be? Time-travel.

Pipe Shop Completed

We are excited to present our freshly completed renovation of the Pipe Shop Venue at the Shipyards, in North Vancouver. Accessible washrooms, a servery, a projector surface, and fresh paint were added to the 1940’s Pipefitter’s Building – a 9,050 square foot community hall at the base of Lonsdale Avenue. Check out the full project description in our WORK section!

 

 

Photography by Sam Pat.